XIV Modern Literature
Identifieur interne : 000817 ( Main/Exploration ); précédent : 000816; suivant : 000818XIV Modern Literature
Auteurs : Julian Cowley ; Colin Graham ; Chris Hopkins ; Daniel Lea ; Paul Poplawski ; John Nash ; Nancy Paxton ; John Brannigan ; Maggie B. Gale ; Malcolm Page ; Jo Gill ; Fran BreartonSource :
- The Year's Work in English Studies [ 0084-4144 ] ; 2003.
Descripteurs français
- Wicri :
- topic : Monographie.
English descriptors
- KwdEn :
- Ackland, Adelphi players, Aesthetics, Alan ayckbourn, Alan bennett, Amis, Archive, Auden, Ayckbourn, Bennett, Book history, British drama, British modernism, Cambridge companion, Casebook, Conradi, Conradian, Conradiana, Contemporary british fiction, Contemporary classics, Critical essays, Critical reception, Critique, Deane, December bride, Deconstructing, Deconstructing ireland, Dramatist, Dylan thomas, Eliot, English novel, Essay, Essential criticism, Feminism, Feminist, Film scripts, Final chapter, Finnegans, Finnegans wake, First half, First time, First world, Free verse, Garry watson, Gender, Gendered, Great deal, Harold pinter, Heaney, Illus, Important contribution, Impressionism, Iris, Iris murdoch, Irish criticism, Irish culture, Irish literature, Irish poetry, Irish studies, Irish theatre, Irishness, Isbn, James joyce, Kingsley amis, Kinsella, Knowles, Kureishi, Last year, Lighthouse, Literary life, Literary studies, Longley, Major novels, Masculinity, Materialist, Mcgee, Modern literature, Modernism, Modernist, Modernist literature, Modernist writers, Monograph, Murdoch, National theatre, Northern ireland, Notebook, Oberon, Otherness, Overview, Palgrave, Paul poplawski, Peppercanister poems, Pinter, Playwright, Plumed serpent, Poetic economies, Postcolonial, Postmodern, Postmodernism, Rabat, Recent years, Rodopi, Routledge, Rowland, Same time, Sassoon, Seamus, Seamus heaney, Second world, Secret agent, Short story, Siegfried sassoon, Sierz, Steven, Stoppard, Theatre history, Twentieth century, Ulysses, Viii, Virginia woolf, Waste land, Western eyes, Wide range, Wilfred owen, Women writers, Woolf, Woolf studies, Work series, Wyndham lewis, Xiii, Yeats.
- Teeft :
- Ackland, Adelphi players, Aesthetics, Alan ayckbourn, Alan bennett, Amis, Archive, Auden, Ayckbourn, Bennett, Book history, British drama, British modernism, Cambridge companion, Casebook, Conradi, Conradian, Conradiana, Contemporary british fiction, Contemporary classics, Critical essays, Critical reception, Critique, Deane, December bride, Deconstructing, Deconstructing ireland, Dramatist, Dylan thomas, Eliot, English novel, Essay, Essential criticism, Feminism, Feminist, Film scripts, Final chapter, Finnegans, Finnegans wake, First half, First time, First world, Free verse, Garry watson, Gender, Gendered, Great deal, Harold pinter, Heaney, Illus, Important contribution, Impressionism, Iris, Iris murdoch, Irish criticism, Irish culture, Irish literature, Irish poetry, Irish studies, Irish theatre, Irishness, Isbn, James joyce, Kingsley amis, Kinsella, Knowles, Kureishi, Last year, Lighthouse, Literary life, Literary studies, Longley, Major novels, Masculinity, Materialist, Mcgee, Modern literature, Modernism, Modernist, Modernist literature, Modernist writers, Monograph, Murdoch, National theatre, Northern ireland, Notebook, Oberon, Otherness, Overview, Palgrave, Paul poplawski, Peppercanister poems, Pinter, Playwright, Plumed serpent, Poetic economies, Postcolonial, Postmodern, Postmodernism, Rabat, Recent years, Rodopi, Routledge, Rowland, Same time, Sassoon, Seamus, Seamus heaney, Second world, Secret agent, Short story, Siegfried sassoon, Sierz, Steven, Stoppard, Theatre history, Twentieth century, Ulysses, Viii, Virginia woolf, Waste land, Western eyes, Wide range, Wilfred owen, Women writers, Woolf, Woolf studies, Work series, Wyndham lewis, Xiii, Yeats.
Abstract
This chapter has eight sections: 1. General; 2. Pre-1945 Fiction; 3. Post-1945 Fiction; 4. Pre-1950 Drama; 5. Post-1950 Drama; 6. Pre-1950 Poetry; 7. Post-1950 Poetry; 8. Irish Poetry. Section 1(a) is by Julian Cowley; section 1(b) is by Colin Graham; section 2(a) is by Chris Hopkins; sections 2(b–d) are by Daniel Lea; section 2(e) is by Paul Poplawski; section 2(f) is by John Nash; section 2(g) is by Nancy Paxton; section 3 is by John Brannigan; section 4 is by Maggie B. Gale; section 5 is by Malcolm Page; section 6 is by Jo Gill; section 7 is by John Brannigan; section 8 is by Fran Brearton. The section on the English novel 1900–1930, by Lynne Hapgood, has been omitted this year, but will cover 2001–2 publications in YWES 83.
Url:
DOI: 10.1093/ywes/mag014
Affiliations:
Links toward previous steps (curation, corpus...)
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- to stream Istex, to step Curation: 000822
- to stream Istex, to step Checkpoint: 000614
- to stream Main, to step Merge: 000817
- to stream Main, to step Curation: 000817
Le document en format XML
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<term>Aesthetics</term>
<term>Alan ayckbourn</term>
<term>Alan bennett</term>
<term>Amis</term>
<term>Archive</term>
<term>Auden</term>
<term>Ayckbourn</term>
<term>Bennett</term>
<term>Book history</term>
<term>British drama</term>
<term>British modernism</term>
<term>Cambridge companion</term>
<term>Casebook</term>
<term>Conradi</term>
<term>Conradian</term>
<term>Conradiana</term>
<term>Contemporary british fiction</term>
<term>Contemporary classics</term>
<term>Critical essays</term>
<term>Critical reception</term>
<term>Critique</term>
<term>Deane</term>
<term>December bride</term>
<term>Deconstructing</term>
<term>Deconstructing ireland</term>
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<term>Dylan thomas</term>
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<term>English novel</term>
<term>Essay</term>
<term>Essential criticism</term>
<term>Feminism</term>
<term>Feminist</term>
<term>Film scripts</term>
<term>Final chapter</term>
<term>Finnegans</term>
<term>Finnegans wake</term>
<term>First half</term>
<term>First time</term>
<term>First world</term>
<term>Free verse</term>
<term>Garry watson</term>
<term>Gender</term>
<term>Gendered</term>
<term>Great deal</term>
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<term>Heaney</term>
<term>Illus</term>
<term>Important contribution</term>
<term>Impressionism</term>
<term>Iris</term>
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<term>Overview</term>
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<term>Paul poplawski</term>
<term>Peppercanister poems</term>
<term>Pinter</term>
<term>Playwright</term>
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<term>Twentieth century</term>
<term>Ulysses</term>
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<term>Adelphi players</term>
<term>Aesthetics</term>
<term>Alan ayckbourn</term>
<term>Alan bennett</term>
<term>Amis</term>
<term>Archive</term>
<term>Auden</term>
<term>Ayckbourn</term>
<term>Bennett</term>
<term>Book history</term>
<term>British drama</term>
<term>British modernism</term>
<term>Cambridge companion</term>
<term>Casebook</term>
<term>Conradi</term>
<term>Conradian</term>
<term>Conradiana</term>
<term>Contemporary british fiction</term>
<term>Contemporary classics</term>
<term>Critical essays</term>
<term>Critical reception</term>
<term>Critique</term>
<term>Deane</term>
<term>December bride</term>
<term>Deconstructing</term>
<term>Deconstructing ireland</term>
<term>Dramatist</term>
<term>Dylan thomas</term>
<term>Eliot</term>
<term>English novel</term>
<term>Essay</term>
<term>Essential criticism</term>
<term>Feminism</term>
<term>Feminist</term>
<term>Film scripts</term>
<term>Final chapter</term>
<term>Finnegans</term>
<term>Finnegans wake</term>
<term>First half</term>
<term>First time</term>
<term>First world</term>
<term>Free verse</term>
<term>Garry watson</term>
<term>Gender</term>
<term>Gendered</term>
<term>Great deal</term>
<term>Harold pinter</term>
<term>Heaney</term>
<term>Illus</term>
<term>Important contribution</term>
<term>Impressionism</term>
<term>Iris</term>
<term>Iris murdoch</term>
<term>Irish criticism</term>
<term>Irish culture</term>
<term>Irish literature</term>
<term>Irish poetry</term>
<term>Irish studies</term>
<term>Irish theatre</term>
<term>Irishness</term>
<term>Isbn</term>
<term>James joyce</term>
<term>Kingsley amis</term>
<term>Kinsella</term>
<term>Knowles</term>
<term>Kureishi</term>
<term>Last year</term>
<term>Lighthouse</term>
<term>Literary life</term>
<term>Literary studies</term>
<term>Longley</term>
<term>Major novels</term>
<term>Masculinity</term>
<term>Materialist</term>
<term>Mcgee</term>
<term>Modern literature</term>
<term>Modernism</term>
<term>Modernist</term>
<term>Modernist literature</term>
<term>Modernist writers</term>
<term>Monograph</term>
<term>Murdoch</term>
<term>National theatre</term>
<term>Northern ireland</term>
<term>Notebook</term>
<term>Oberon</term>
<term>Otherness</term>
<term>Overview</term>
<term>Palgrave</term>
<term>Paul poplawski</term>
<term>Peppercanister poems</term>
<term>Pinter</term>
<term>Playwright</term>
<term>Plumed serpent</term>
<term>Poetic economies</term>
<term>Postcolonial</term>
<term>Postmodern</term>
<term>Postmodernism</term>
<term>Rabat</term>
<term>Recent years</term>
<term>Rodopi</term>
<term>Routledge</term>
<term>Rowland</term>
<term>Same time</term>
<term>Sassoon</term>
<term>Seamus</term>
<term>Seamus heaney</term>
<term>Second world</term>
<term>Secret agent</term>
<term>Short story</term>
<term>Siegfried sassoon</term>
<term>Sierz</term>
<term>Steven</term>
<term>Stoppard</term>
<term>Theatre history</term>
<term>Twentieth century</term>
<term>Ulysses</term>
<term>Viii</term>
<term>Virginia woolf</term>
<term>Waste land</term>
<term>Western eyes</term>
<term>Wide range</term>
<term>Wilfred owen</term>
<term>Women writers</term>
<term>Woolf</term>
<term>Woolf studies</term>
<term>Work series</term>
<term>Wyndham lewis</term>
<term>Xiii</term>
<term>Yeats</term>
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<front><div type="abstract" xml:lang="en">This chapter has eight sections: 1. General; 2. Pre-1945 Fiction; 3. Post-1945 Fiction; 4. Pre-1950 Drama; 5. Post-1950 Drama; 6. Pre-1950 Poetry; 7. Post-1950 Poetry; 8. Irish Poetry. Section 1(a) is by Julian Cowley; section 1(b) is by Colin Graham; section 2(a) is by Chris Hopkins; sections 2(b–d) are by Daniel Lea; section 2(e) is by Paul Poplawski; section 2(f) is by John Nash; section 2(g) is by Nancy Paxton; section 3 is by John Brannigan; section 4 is by Maggie B. Gale; section 5 is by Malcolm Page; section 6 is by Jo Gill; section 7 is by John Brannigan; section 8 is by Fran Brearton. The section on the English novel 1900–1930, by Lynne Hapgood, has been omitted this year, but will cover 2001–2 publications in YWES 83.</div>
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